He is drawn to the tension between the organic and the constructed — where natural forms, textures and irregularities meet clear geometry and structure. This contrast remains one of the fundamental sources of beauty in his work.

Objects are often remembered through the places where we touch them. Edges, armrests, handles and other points of contact play a decisive role in shaping how a piece is experienced and remembered.

For this reason, particular attention is given to the tactile qualities of surfaces, edges and transitions.

In an increasingly urbanised world, there is a growing need to reconnect everyday objects with the sensory qualities of our natural environment.
The aim is to create objects that engage not only the eye, but the full spectrum of perception.